A serialized TikTok original drama, featuring ~1-minute episodes, starring the “TsunaSora” duo.

Before the End responds to the ethos and fanbase of the Before series while considering the impact of the pandemic on filmmaking, films, fans and characters too. Primarily, the work is an experiment with updating the Kuleshov effect for social media, that is, showing how the juxtaposition of images will be read by a cinema audience as narrative, even though the projection of emotional connections between the images is, as here, entirely the construct of the audience. For study purposes. This simulation of a fourth ‘Before’ film for the pandemic sees Jesse (Ethan Hawke) and Céline (Julie Delpy) on a video call during lockdown in 2020, separated, and unwittingly recreating the scene in the record booth from Before Sunrise. The video incorporates footage from the Q&As that Ethan Hawke and Julie Delpy did with Cameron Bailey for TIFF Originals on 30 April and 12 May 2020 respectively.

An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.

What was going on at Bennington College in the 1980s? Matthew Tyrnauer reveals the not-so-secret history of a small (enrollment: 700) liberal arts school that nurtured a shocking amount of genius. Bret Easton Ellis (American Psycho), Donna Tartt (The Goldfinch), and Jonathan Lethem (The Fortress of Solitude) were standouts amongst many young creatives, who found plenty of inspiration and material within the messy realities of this collegiate petri dish.

During a self-taped audition for a film about the apocalypse, 15-year-old Tyler realizes that the end might not be fiction after all.

A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.

Jack Joyce, who worked in old Abner Hope's garage, was always dreaming of big schemes, but had no capital with which to realize them. Abner Hope, who is regarded as a "queer one," tell Jack that the world will end on September 1st, and gives him his savings to spend during the few remaining weeks. As a result, Jack becomes a king of power, and becomes engaged to Curt Horndyke's daughter, although he loves Mary Ellen, Abner's granddaughter. Then comes the climax - the end of the world - which, with its dénouement, makes one of the most fascinating endings ever screened.

A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

A story about the Livonian (Liv) language going extinct, and about the people still trying to keep it alive.

This dramatic adventure finds the flirtatious Cherry O'Day as the daughter of the Shanghai saloon keeper Terrence. She works in the dive and entertains the patrons, sending them away after they cease to amuse her. Cherry falls for Gordon Deane, the American writer and adventurer who barely notices her.